{"id":6260,"date":"2015-01-09T11:46:17","date_gmt":"2015-01-09T16:46:17","guid":{"rendered":"http:\/\/posturemag.com\/online\/?p=6260"},"modified":"2016-11-11T14:52:22","modified_gmt":"2016-11-11T19:52:22","slug":"shes-beautiful-when-shes-filming-an-interview-with-feminist-documentarian-mary-dore","status":"publish","type":"post","link":"http:\/\/posturemag.com\/online\/shes-beautiful-when-shes-filming-an-interview-with-feminist-documentarian-mary-dore\/","title":{"rendered":"She&#8217;s Beautiful When She&#8217;s Filming: An Interview With Feminist Documentarian Mary Dore"},"content":{"rendered":"<p>Author |\u00a0Sarah Fonseca<\/p>\n<p><em>Featured image of Lavender Menace by Diana Davies<\/em><\/p>\n<p><em><a href=\"http:\/\/www.shesbeautifulwhenshesangry.com\/\">She\u2019s Beautiful When She\u2019s Angry<\/a><\/em>\u00a0is a new documentary that explores the women\u2019s movement in the United States during its prime years, from 1966 to 1971. Transcending the photos of Gloria Steinem in aviator glasses and vague references to glass ceilings which frequently saturate Intro to Women\u2019s Studies courses, the documentary is a loveletter to herstories lost and not-quite-well-enough remembered, from the illegal abortion providers of the Jane Collective in Chicago to the Puerto Rican women of the Young Lords in New York City.<\/p>\n<div class=\"flex-video widescreen youtube\"><iframe loading=\"lazy\" title=\"She&#039;s Beautiful When She&#039;s Angry Official Trailer 1 (2014) - Documentary HD\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/6sUsLn7v_wI?feature=oembed&#038;showinfo=0&#038;rel=0&#038;modestbranding=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>The director of <i>She\u2019s Beautiful<\/i>, Mary Dore, was kind enough to sit down with Posture at <i>She\u2019s Beautiful<\/i> headquarters in Brooklyn\u2019s Old American Canning Factory. We talked about the struggles of funding a women\u2019s documentary, the queer women of second wave feminism, and Cat Power.<\/p>\n<p><b>The start of this for me was in 2012 when you guys did <\/b><a href=\"https:\/\/www.kickstarter.com\/projects\/1299423713\/shes-beautiful-when-shes-angry\"><b>the Kickstarter for <\/b><\/a><a href=\"https:\/\/www.kickstarter.com\/projects\/1299423713\/shes-beautiful-when-shes-angry\"><b><i>She\u2019s Beautiful<\/i><\/b><\/a><b>and it had vaguely slipped my mind until someone said, \u201cHey! Do you want to see this movie with me?\u201d and I responded, \u201cWhat? This came out so fast!\u201d But the truth of the matter is that you\u2019ve been working on this for\u2014<\/b><\/p>\n<p>[laughs] \u2014a million years. I started writing grants before my kids were born\u2014they\u2019re 21 so that\u2019s my easy date\u2014and we couldn\u2019t get funding. And of course I wasn\u2019t sitting at home waiting; I\u2019m a professional. So I took jobs, I raised my kids, then I would try every now and then and I would try and get nowhere. It was amazing that very liberal institutions were not up for it. It\u2019s so interesting. I have really good contacts and a really good resume, and it was startling to me that this was so undesired. But this kind of proved a point that I got early, which is the women\u2019s movement isn\u2019t held in much respect\u2014I don\u2019t mean women in general, I mean the particular women who are covered in the film.<\/p>\n<p><b>Was that your impetus for starting this project?<\/b><\/p>\n<p>It was, actually, because I\u2019ve made a lot of history films and labor films. I have a progressive bent, obviously. At some point you have one of those wake-up moments where it\u2019s like, \u201cHow has no one made a great film about this?\u201d You know, there are so many gay rights films. There are endless numbers of them and they\u2019ve been made for decades. There have been docs on TV and there have been local PBS docs, and no one\u2019s done a big, rabble-rousing evocative film.<\/p>\n<p><b>Concerning gay docs: if they are women-centric, they don\u2019t fly as well, they\u2019re not as commercially successful. [Sarah] Shulman\u2019s <i>United in Anger<\/i> talks about women within that movement, but it doesn\u2019t have as big of a reach as other AIDS docs, unfortunately.<\/b><\/p>\n<p>I think you\u2019re right. I still haven\u2019t seen <i>How to Fight A Plague<\/i> but I\u2019ve heard the controversy surrounding that. I know lesbians were so prominent in [AIDS activist group] ACT-UP\u2019s stuff. They were great warriors. And I guess they get downplayed, right?<\/p>\n<figure id=\"attachment_6261\" aria-describedby=\"caption-attachment-6261\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png\" rel=\"mfp\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6261\" data-permalink=\"http:\/\/posturemag.com\/online\/shes-beautiful-when-shes-filming-an-interview-with-feminist-documentarian-mary-dore\/ellen-willis\/\" data-orig-file=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?fit=1280%2C881\" data-orig-size=\"1280,881\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"ellen willis\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Ellen Willis&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?fit=300%2C206\" data-large-file=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?fit=1024%2C704\" class=\"size-large wp-image-6261\" alt=\"Ellen Willis\" src=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?resize=620%2C426\" width=\"620\" height=\"426\" srcset=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?resize=1024%2C704 1024w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?resize=300%2C206 300w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?resize=620%2C426 620w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?resize=100%2C70 100w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?resize=940%2C646 940w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/ellen-willis.png?w=1280 1280w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-6261\" class=\"wp-caption-text\">Ellen Willis<\/figcaption><\/figure>\n<p><b style=\"line-height: 1.5em;\">What inspired the name?<\/b><\/p>\n<p>I get no credit for that. We made a very sexy trailer in 2000, and we filmed the first four people, which luckily included [feminist writer] Ellen Willis. Of course wasn\u2019t sick then; she died six years later. While we were doing research and looking for archival footage real quickly on the cheap with all our own money\u2014so we couldn\u2019t exactly do the deluxe production of the world\u2014we found this Newsreel documentary from the late 60s. Newsreel was a radical group that covered anti-war stuff, covered everything. It was a part of the movement. They filmed a women\u2019s street theater group who was doing this hilarious play. One woman was wearing a placard and a hat, pretending to be the big, fat capitalist, and another woman was being the president\u2019s wife.<\/p>\n<p>When we saw the film, it was hilarious\u2014done in ancient black and white like a lot of footage in our film, by non-professionals to say the least\u2014and the title was, <i>She\u2019s Beautiful When She\u2019s Angry<\/i>, and it was one of those \u201cclick\u201d moments where [producer] Nancy Kennedy (who joined me as a partner on this in 2000; she\u2019s a great editor and wanted to be involved) and I were, \u201cWhat a genius title.\u201d And we took it from them.<\/p>\n<p><b>It is very fun. It\u2019s very whiskey-drinking and attention-grabbing.<\/b><\/p>\n<p>And it\u2019s in-you-face! I never wanted to make a sentimental film. \u201cOh, it was all so lovely!\u201d Because the women\u2019s movement was very contentious. It was so in everyone\u2019s face. It was so challenging to the women in it, as well as the people they were trying to convince that this was a good issue. So I thought it was really important to have that kind of presence.<\/p>\n<p><b>Naturally, I have to ask you about the lesbians. [Author of <i>Rubyfruit Jungle<\/i>] Rita Mae Brown in particular\u2014she\u2019s such a spitfire. I\u2019ve read her comments about the Betty Friedan \u201cLavender Menace\u201d commentary and I didn\u2019t know she was that actively involved.<\/b><\/p>\n<p>She was very active for a few years. She wound up becoming a writer relatively soon. I don\u2019t actually think she\u2019s seen the film yet. I have to communicate with her, bizarrely, though her publicist. She doesn\u2019t have Internet.<\/p>\n<figure id=\"attachment_6264\" aria-describedby=\"caption-attachment-6264\" style=\"width: 760px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/rita-mae-brown.jpg\" rel=\"mfp\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6264\" data-permalink=\"http:\/\/posturemag.com\/online\/shes-beautiful-when-shes-filming-an-interview-with-feminist-documentarian-mary-dore\/rita-mae-brown\/\" data-orig-file=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/rita-mae-brown.jpg?fit=760%2C538\" data-orig-size=\"760,538\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"rita mae brown\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Rita Mae Brown&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/rita-mae-brown.jpg?fit=300%2C212\" data-large-file=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/rita-mae-brown.jpg?fit=760%2C538\" class=\"size-full wp-image-6264\" alt=\"Rita Mae Brown\" src=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/rita-mae-brown.jpg?resize=760%2C538\" width=\"760\" height=\"538\" srcset=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/rita-mae-brown.jpg?w=760 760w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/rita-mae-brown.jpg?resize=300%2C212 300w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/rita-mae-brown.jpg?resize=620%2C438 620w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/rita-mae-brown.jpg?resize=100%2C70 100w\" sizes=\"auto, (max-width: 760px) 100vw, 760px\" \/><\/a><figcaption id=\"caption-attachment-6264\" class=\"wp-caption-text\">Rita Mae Brown<\/figcaption><\/figure>\n<p><b>It was difficult?<\/b><\/p>\n<p>It was difficult; I went through her publicist and graciously I did get the interview, which was great. And I had to go down to her farm down in Virginia and she was lovely. She spent the whole day with us, which was totally nice. She\u2019s a real spark plug in the film. It was enjoyable.<\/p>\n<figure id=\"attachment_6262\" aria-describedby=\"caption-attachment-6262\" style=\"width: 620px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg\" rel=\"mfp\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"6262\" data-permalink=\"http:\/\/posturemag.com\/online\/shes-beautiful-when-shes-filming-an-interview-with-feminist-documentarian-mary-dore\/karla-jay\/\" data-orig-file=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?fit=1225%2C859\" data-orig-size=\"1225,859\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Karla Jay\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Karla Jay&lt;\/p&gt;\n\" data-medium-file=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?fit=300%2C210\" data-large-file=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?fit=1024%2C718\" class=\"size-large wp-image-6262\" alt=\"Karla Jay\" src=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?resize=620%2C434\" width=\"620\" height=\"434\" srcset=\"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?resize=1024%2C718 1024w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?resize=300%2C210 300w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?resize=620%2C434 620w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?resize=100%2C70 100w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?resize=940%2C659 940w, https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/Karla-Jay.jpg?w=1225 1225w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-6262\" class=\"wp-caption-text\">Karla Jay<\/figcaption><\/figure>\n<p><b>I\u2019d never heard of Karla Jay before.<\/b><\/p>\n<p>Oh, you have to read her book! I\u2019ll tell you a funny story about Karla Jay. She\u2019s retired now, but she taught at Pace for a long time. I did not know her at all but years ago, somebody picked up this book called <i>Tales of the Lavender Menace<\/i>. It\u2019s her biography. And it\u2019s really spicy! It\u2019s got lots of good sex scenes, and it\u2019s really funny. Since we started cutting footage and getting everything together in 2000, in this amazing footage that Marlene Sanders had shot in the film, including that whole scene with the Ogle-In, and I always wanted to know who that mouthy woman was because I\u2019d always loved the woman who was like, \u201cWhat a chapeau!\u201d<\/p>\n<p>So I\u2019m reading through Karla Jay\u2019s book in the middle of the night and\u2014because I had heard about her from other people, that she was an important lesbian activist in that era\u2014all of a sudden, I was reading about this event she organized where they hooted and howled at men and I had that lightning moment where I realized, \u201cOh my god, this is Karla Jay!\u201d I had to meet her. It was such a fortune because it\u2019s not like, when you look at old footage, you know who people are.<\/p>\n<p><b>And when you\u2019re sitting down with this person today or watching footage of her in interview, it can be a bit of a surprise. \u201cReally, this is that person from way-back-when?\u201d<\/b><\/p>\n<p>I know! She\u2019s legally blind now, so it\u2019s really hard for her. She came to our film festival premiere with her guide dog. She came to see the film a couple times, and her partner told her who was speaking [in the film]. She was great to interview and she is very smart. She loved so many people. She was in Redstockings and really close with Alex Schulman and all kinds of people. She wasn\u2019t a star the way Rita Mae kind of made herself a star and, of course, pissed off people in doing so. It\u2019s complicated. But when you make a film, you don\u2019t care who likes each other or who doesn\u2019t. You just choose who you think is best for the film, and thinking about your audience at all times.<\/p>\n<p><b>I wanted to ask you about the contemporary soundtrack choices. I believe I heard some Le Tigre and Cat Power in there?<\/b><\/p>\n<p>You did! Yeah, that was deliberate. One of my early interns was doing the Lavender Menace footage and she found that Cat Power song, \u201cFree.\u201d It was so perfect, and I thought, \u201cOh, this is so cool.\u201d I always wanted to use popular music but I didn\u2019t necessarily want it all to be from that period, but it had to have the same sort of similar tone for it\u2014you can\u2019t just throw together a mishmash of music. And there\u2019s a lot of women artists from those decades whom I adored but couldn\u2019t put in. I\u2019m madly in love with Kristy Hinds but it had too much of an 80s feel. The Cat Power songs and the Le Tigre songs were kind of timeless, in a way, and they meshed with the old music.<\/p>\n<p><b>Was there anything\u2014be it video or audio\u2014that broke your heart to leave out?<\/b><\/p>\n<p>[laughs] Um, well, it broke my heart to keep the music that we\u2019ve got because I\u2019m still in debt for it! That\u2019s the real heartbreaker. A lot of smart people said, \u201cYou should just trade out the great music \u2018cause it\u2019s gonna kill you financially.\u201d It makes the film. You know, I wanted this film to reach a populous audience and I know that the music is really helpful. People have told me that they wish we would put out a CD to go with it because they get really revved up by the music. That was a fiscally irresponsible decision which I am still paying for.<\/p>\n<p><b>Being that a majority of the film is retrospect, was it kind of tricky discussing contemporary issues?<\/b><\/p>\n<p>It was difficult. I knew that we had to allude to what\u2019s happening today, but my original purpose was very much to resurrect this history that I thought had been so neglected and denigrated to a degree where, you know, so many people I meet\u2014even people who\u2019ve been in women\u2019s studies\u2014the first words that come out of their mouths are racist, sexist, and elitist. And it\u2019s like, you really don\u2019t know the history of the movement if that\u2019s what you believe because there\u2019s room for all those criticisms but that\u2019s not what you lead with. What you lead with is that it was the biggest social movement of the last century and that it had enormous impact despite its flaws.<\/p>\n<p>That\u2019s where I do think that it\u2019s a sort of misogyny because it\u2019s so interesting that every movement made mistakes but the women\u2019s movement gets more trashed for it, interestingly enough. It\u2019s so interesting.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.theplatform.com\/p\/7wvmTC\/MSNBCEmbeddedOffSite?guid=n_mhp_11fem_141130_400736\" height=\"500\" width=\"635\" scrolling=\"no\"><\/iframe><\/p>\n<p><b>Who\u2019s your feminist icon?<\/b><\/p>\n<p>You know, it\u2019s funny, somebody asked me that and I said my grandmother, who was certainly not a feminist but she influenced me enormously. I don\u2019t have one, you know. My feminist awakening was\u2014in terms of the actual movement, I\u2019m a little bit younger than the women in the film\u2014and I was with the women from <a href=\"http:\/\/www.ourbodiesourselves.org\/\"><i>Our Bodies, Ourselves<\/i><\/a>. They\u2019re my heroes just because of what they did. They weren\u2019t med students or scientific geniuses; they were ordinary women saying, \u201cWe know nothing about our bodies, this is ridiculous.\u201d And they did it on their own. They bartered their way into medical libraries and became self-taught. It\u2019s so admirable what they\u2019ve done.<\/p>\n<p><i>Locate a screening near you on <\/i><a href=\"http:\/\/www.shesbeautifulwhenshesangry.com\/findascreening\"><i>the She\u2019s Beautiful When She\u2019s Angry website<\/i><\/a><i>.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Author |\u00a0Sarah Fonseca Featured image of Lavender Menace by Diana Davies She\u2019s Beautiful When She\u2019s Angry\u00a0is a new documentary that explores the women\u2019s movement in the United States during its prime years, from 1966 to 1971. Transcending the photos of Gloria Steinem in aviator glasses and vague references to glass ceilings which frequently saturate Intro\u2026<\/p>\n","protected":false},"author":2,"featured_media":6265,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[2065],"tags":[251,1758,1759,106,1963,1511,1761,1757,1755,1762,1763,1760,1756],"yst_prominent_words":[],"class_list":["post-6260","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-activism","tag-betty-friedan","tag-ellen-willis","tag-feminism","tag-film","tag-gloria-steinem","tag-karla-jay","tag-lavender-menace","tag-mary-dore","tag-our-bodies","tag-ourselves","tag-rita-mae-brown","tag-shes-beautiful-when-shes-angry"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/01\/lavendermenace.jpg?fit=1165%2C828","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6QBV8-1CY","_links":{"self":[{"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/posts\/6260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/comments?post=6260"}],"version-history":[{"count":6,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/posts\/6260\/revisions"}],"predecessor-version":[{"id":6323,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/posts\/6260\/revisions\/6323"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/media\/6265"}],"wp:attachment":[{"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/media?parent=6260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/categories?post=6260"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/tags?post=6260"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/yst_prominent_words?post=6260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}