{"id":7193,"date":"2015-07-08T04:53:17","date_gmt":"2015-07-08T08:53:17","guid":{"rendered":"http:\/\/posturemag.com\/online\/?p=7193"},"modified":"2015-07-08T04:55:08","modified_gmt":"2015-07-08T08:55:08","slug":"so-how-do-i-price-my-artwork","status":"publish","type":"post","link":"http:\/\/posturemag.com\/online\/so-how-do-i-price-my-artwork\/","title":{"rendered":"So how do I price my artwork?"},"content":{"rendered":"<p>For artists interested in selling their work this is a question here at Posture we receive often. Now that we have some art exhibitions under our belt we realize there are many a-issue that keep popping up. This one is very common as it is hard for emerging artists to find that balance between pricing themselves\u00a0out of a show\u00a0and undervaluing their work. Below are some tips from yours truly. Your feedback is welcome!<\/p>\n<h3>1.\u00a0Compensate yourself fairly.<\/h3>\n<p>According to the <a href=\"http:\/\/www.bls.gov\/ooh\/arts-and-design\/craft-and-fine-artists.htm\" target=\"_blank\">Bureau of Labor Statistics<\/a> the national average hourly rate for a fine artist is <strong>$21.34<\/strong>. I would use that as a jumping off point when calculating how much of your time went in to the creation of a piece. Keep in mind you are a professional and deserve a decent living wage. After you have calculated hours add in the cost of materials. IE: keep all of your receipts! You&#8217;ll need these\u00a0for tax season (specific post on this coming soon)!<\/p>\n<p><em>Example:<\/em><br \/>\n<em>Completion of painting = 30 hours = $640 + $300 materials = $940.20. Round that up to $1000. <\/em><\/p>\n<p>That might seem low, but it&#8217;s a solid and reasonable beginning.<\/p>\n<h3>2. Be consistent.<\/h3>\n<p>If your pricing jumps all over the place from show to show people (gallerists, collectors, etc) will start to notice. You run the risk of ultimately devaluing your work. If you&#8217;re represented by a gallery, that number will need to double as most galleries take 50%. Try to stay true to that price range as you move forward and stay as objective as possible.<\/p>\n<h3>3. Know your pricing.<\/h3>\n<p>That brings us to number three. Make sure you have your body of\u00a0work documented and priced. In addition to having an <a href=\"http:\/\/www.squarespace.com\" target=\"_blank\">online portfolio<\/a> (this is a must), having a simple PDF with images and info will suffice. When someone asks you how much a work is you will want to be able to tell them immediately and remain\u00a0in control, although be open to negotiation.<\/p>\n<h3>4. Keep track of your sales.<\/h3>\n<p>This will be very helpful when the time comes to justify your pricing to prospective collectors and\/or dealers.<\/p>\n<h3>4. Research the art market.<\/h3>\n<p>This may seem like a soul-breaking chore but it is imperative that you keep in touch with what you&#8217;re peers are\u00a0creating and what they&#8217;re asking for. Go to<a href=\"http:\/\/artcards.cc\" target=\"_blank\"> local art shows<\/a>, browse\u00a0<a href=\"https:\/\/www.artsy.net\" target=\"_blank\">Artsy<\/a>, and do not be afraid to reach out to those you admire for advice. If you want to get crazy check out some <a href=\"http:\/\/www.sothebys.com\/en\/departments\/contemporary-art.html\" target=\"_blank\">art auctions<\/a> for reference. You can adjust your pricing comparatively&#8230;but make sure you&#8217;re comparing your work to what <em>sells<\/em>.<\/p>\n<h3>5. If you love a work so much you&#8217;d die for it,\u00a0don&#8217;t sell it.<\/h3>\n<p>As Alam Bamberger of Art Business says, &#8220;Any insights, enlightenments, sufferings, or inner pain you experience while creating art are your own business. Don&#8217;t bill collectors for it.&#8221; Your personal attachment to a piece should not affect the pricing as this just runs the risk of breaking your consistency. If you feel very connected to a work keep it in your personal collection.<\/p>\n<h3>6. Offer a variety.<\/h3>\n<p>Often you will find someone who is in love with your work but it&#8217;s out of their price range. Consider making smaller works or limited editions with less expensive materials to offer to those with a smaller budget. Also, be open to commissions and don&#8217;t turn people away unless you feel strongly otherwise.<\/p>\n<p><em>If you have any comments or questions don&#8217;t hesitate to email us at info@posturemag.com. \u00a0<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For artists interested in selling their work this is a question here at Posture we receive often. Now that we have some art exhibitions under our belt we realize there are many a-issue that keep popping up. This one is very common as it is hard for emerging artists to find that balance between pricing\u2026<\/p>\n","protected":false},"author":4,"featured_media":7194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1],"tags":[45,46,52,1924,111,307],"yst_prominent_words":[],"class_list":["post-7193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-art","tag-painting","tag-photography","tag-sales","tag-sculpture","tag-visual-art-2"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/posturemag.com\/online\/wp-content\/uploads\/2015\/07\/Warhol.jpg?fit=1044%2C1044","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6QBV8-1S1","_links":{"self":[{"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/posts\/7193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/comments?post=7193"}],"version-history":[{"count":2,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/posts\/7193\/revisions"}],"predecessor-version":[{"id":7196,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/posts\/7193\/revisions\/7196"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/media\/7194"}],"wp:attachment":[{"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/media?parent=7193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/categories?post=7193"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/tags?post=7193"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"http:\/\/posturemag.com\/online\/wp-json\/wp\/v2\/yst_prominent_words?post=7193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}